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How Does Nefertitis Tomb Look Like How Does Nefertitis Tomb Look Like Clip Art

Ancient Egyptian tomb

QV66
Burial site of Nefertari
Maler der Grabkammer der Nefertari 003.jpg

Nefertari playing Senet

QV66 is located in Egypt

QV66

QV66

Coordinates 25°43′twoscore.3″Northward 32°35′33.4″E  /  25.727861°Due north 32.592611°E  / 25.727861; 32.592611 Coordinates: 25°43′40.3″North 32°35′33.4″E  /  25.727861°Due north 32.592611°E  / 25.727861; 32.592611
Location Valley of the Queens
Discovered 1904
Decoration Book of the Dead
Layout Generally straight

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QV66 is the tomb of Nefertari, the Great Wife of Pharaoh Ramesses Two, in Arab republic of egypt'southward Valley of the Queens. It was discovered by Ernesto Schiaparelli (the director of the Egyptian Museum in Turin) in 1904. It is chosen the Sistine Chapel of Ancient Egypt. Nefertari, which means "beautiful companion", was Ramesses Two'south favorite wife; he went out of his way to make this obvious, referring to her as "the i for whom the sun shines" in his writings, built the Temple of Hathor to idolize her as a deity, and commissioned portraiture wall paintings. In the Valley of the Queens, Nefertari's tomb once held the mummified torso and representative symbolisms of her, like what almost Egyptian tombs consisted of. Now, everything had been looted except for 2 thirds of the 5,200 square feet of wall paintings. For what all the same remains, these wall paintings characterized Nefertari's character. Her face up was given a lot of attention to emphasize her beauty, peculiarly the shape of her eyes, the blush of her cheeks, and her eyebrows. Some paintings were full of lines and color of crimson, blue, yellowish, and green that portrayed exquisite directions to navigating through the afterlife to paradise.[1] [two] [3] [four] [v]

Decoration and layout [edit]

A flight of steps cut out of the rock gives access to the vestibule, which is busy with paintings based on Chapter 17 of the Book of the Dead.[6] This astronomical ceiling represents the heavens and is painted in night blue, with a myriad of aureate 5-pointed stars. The east wall of the lobby is interrupted by a big opening flanked by representation of Osiris at left and Anubis at right; this in plough leads to the side sleeping accommodation, decorated with offering scenes, preceded by a vestibule in which the paintings portray Nefertari being presented to the gods who welcome her. On the north wall of the vestibule is the stairway that goes down to the burial chamber.[6] This latter is a vast quadrangular room covering a surface area most 90 foursquare meters, the astronomical ceiling of which is supported by four pillars entirely covered with decoration. Originally, the queen's crimson granite sarcophagus lay in the center of this chamber.[half dozen] Co-ordinate to religious doctrines of the time, information technology was in this chamber, which the ancient Egyptians chosen the "gilt hall" that the regeneration of the deceased took place. This decorative pictogram of the walls in the burial chamber drew inspirations from chapters 144 and 146 of the Book of the Dead: in the left half of the bedchamber, at that place are passages from chapter 144 apropos the gates and doors of the kingdom of Osiris, their guardians, and the magic formulas that had to be uttered by the deceased in order to become past the doors.[vi]

The tomb itself is primarily focused on the Queen's life and on her expiry. Of the wall full of paintings, the "Queen playing Draughts" is a portrayal of Nefertari playing the game of Senet. A whole unabridged wall was dedicated to show the Queen at play, demonstrating the importance of the game of Senet. Interpretations suggest that a physical board game of Senet may have possibly been stolen, forth with the body and other symbolic images of Nefertari. Nefertari may have been very clever, and possibly take been a writer in her lifetime. ^iv This can be alluded because of a painting in the tomb of Nefertari coming before the god of writing and literacy to proclaim her championship as a scribe. Nefertari lived an elegant life on globe, and she is too promised an elegant afterlife. Chapter 17 of the Book of the Dead, which tells a spell for the Queen, is inscribed on the tomb. This spell is supposed to guide Nefertari on how to transform into a ba, which is a bird. For Nefertari to get a bird in the afterlife holds a promise of freedom to motility effectually.

By contemporary standards, the real value of the paintings found inside the tomb is that they are the all-time preserved and most detailed source of the aboriginal Egyptian'southward journeying towards the afterlife. The tomb features several extracts from the Book of the Dead from chapters 148, 94, 146, 17 and 144 and tells of all the ceremonies and tests taking place from the death of Nefertari upward until the stop of her journey, depicted on the door of her burial bedchamber, in which Nefertari is reborn and emerges from the eastern horizon as a lord's day disc, forever immortalized in victory over the world of darkness.

The details of the ceremonies concerning the afterlife also tell usa much about the duties and roles of many major and minor gods during the reign of the 19th Dynasty in the New Kingdom. Gods mentioned on the tomb walls include Isis, Osiris, Anubis, Hathor, Neith, Serket, Ma'at, Wadjet, Nekhbet, Amunet, Ra and Nephthys.

Unfortunately by the time that Schiaparelli rediscovered Nefertari's tomb it had already been plant by tomb raiders, who had stolen all the treasure cached with the Queen, including her sarcophagus and mummy. Parts of the mummy'south knees were found in the burying chamber, and were taken to the Egyptian Museum in Turin by Schiaparelli, where they are even so kept today.

Closure [edit]

The tomb was airtight to the public in 1950 because of diverse problems that threatened the paintings, which are considered to be the best preserved and nearly eloquent decorations of any Egyptian burial site. The paintings are found on about every available surface in the tomb, including thousands of stars painted on the ceiling of the burial chamber on a bluish groundwork to represent the sky.

After the discovery of the tomb, scientists found deterioration in many paintings caused by water damage, bacterial growth, salt formation, and recently, the humidity of visitors' breath. In 1986, an operation to restore all the paintings within the tomb and to supervene upon over three,000 years worth of dust and soot with paper pasted to the fragile walls and ceilings to preserve the paintings was embarked upon past the Egyptian Antiquities Organisation and the Getty Conservation Plant; the bodily restoration work began in 1988 and was completed in April 1992.[7] Upon completion of the restoration work, Egyptian authorities decided to severely restrict public access to the tomb in order to preserve the frail paintings found within. Five years later, Egypt's Prime Minister, Hisham Zazao, declared the tomb to be reopened to visitors, 150 visitors at a time.[3] In 2006, the tomb was restricted to visitors one time again, except for individual tours of a maximum of 20 people purchasing a license for United states of america$3000. As of Nov 2019, holders of a 1400 EGP entry ticket or a premium Luxor laissez passer can visit this tomb. To this day, the Getty Conservation Institute regularly monitors the tomb.

See also [edit]

  • Listing of Ancient Egyptian imperial consorts

References [edit]

  1. ^ Fischer, D (June i, 1992). "Mummy Dear". Time. No. 22. Retrieved 29 September 2015.
  2. ^ Carroll, Colleen. "Clip And Save Art Notes". Arts & Activities. Retrieved 29 September 2015.
  3. ^ a b Shaw, Garry (December 2014). "Egypt reopens tomb as tourism falls". Art Paper. No. 263. Retrieved 29 September 2015.
  4. ^ "The Tomb of Nefertari". BBC . Retrieved 1 Oct 2015.
  5. ^ Wilson-Yang, K.M.; Burns, George (November 1989). "The Stability of the Tomb of Nefertari 1904-1987". Studies in Conservation (4 ed.). Maney Publishing. 34 (4): 153–155. JSTOR 1506283.
  6. ^ a b c d Alberto Siliotti, Kemet: temples, people, gods,1994
  7. ^ Getty Conservation Plant (1984–1996). "Tomb of Nefertari project records". Institutional Archives, Research Library, Getty Enquiry Institute. hdl:10020/cifaia30008. Retrieved November 22, 2020.

External links [edit]

pierrewity1967.blogspot.com

Source: https://en.wikipedia.org/wiki/Tomb_of_Nefertari

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